Sometimes my childhood memories aren’t really memories at all — they’re moods, or impressions. I don’t remember a specific time or place or event, but remember a feeling. I remember how it felt to go to Grandma’s house. I remember how it felt to visit the train station. I remember the glow from endless days of summer.
Mostly I do remember details, though these often form a confusing jumble of time, place, event, and emotion. I can’t be sure that the individual memories I have are correct: maybe I’ve recombined several memories, drawing on the location of one memory, combining it with the events of a second, adding the emotions of a third.
Memories are like this.
For example, when I was a boy, my family lived in a trailer house in the Oregon coutnryside. We were poor. We did not have a television (though I believe this was more of a philosophical choice than a financial one on the part of my parents). In the evening, my family read and listened to music.
My father was a big Neil Diamond fan. He loved ABBA. He often listened to Simon and Garfunkel’s Greatest Hits. (Thus it is no surprise that these are all favorites of mine now.) Mostly, he listened to classical music.
Though we didn’t have much, we did have a nice component stereo, including a silver receiver with big knobs, and a top-of-the-line turntable. I can remember the night Dad bought the stereo equipment from a small store in Beaverton. I can remember the record shop’s dimly lit rooms were filled with record bins. I can remember the Bee Gees strutting over the store’s speakers. I can remember heading home with the Star Wars soundtrack, a couple of Mannheim Steamroller albums, and a small collection of classical music.
I had no formal musical education (aside from two years of violin in fifth and sixth grade), but I learned a lot from listening to Dad’s classical records. He was passionate about them. I learned to love Beethoven’s sixth symphony (the Pastorale). I learned to love Bizet’s Carmen Suite and Grieg’s Peer Gynt. I learned to love Also Sprach Zarathustra. I learned to love Mozart and Liszt and Rimsky-Korsakov.
When I think of my childhood, my first thought is not of a particular time or place or event; it is a feeling, an emotion, a sense of peace. A vague, non-specific scene. I remember a cool autumn night — the early darkness — sitting in the trailer’s living room on a baroque floral couch (a couch that went with me to college). The wall-mounted kerosene sconces are lit. The dishwasher is humming. There is a fire in the wood stove. The birds are squawking in their cages, or perhaps sitting on the curtain rods. A small and stinky dog is curled next to Jeff on one end of the couch. I am on the other end, reading a book. We are listening to the Cosmos soundtrack: soaring strings, pulsing electronic beats, the haunting Bulgarian Shepherdess Song.
A vasty darkness surrounds the trailer, yet inside is a womb of warmth and light and music.
This is what I remember.
A previous entry, Twenty-Two Year Reflection, is related to this entry.
I’ve long argued that if you like two individual food components, you ought to like them combined. For example, if you like ketchup and you like mashed potatoes, you ought to find the combination delightful, too.
Well.
I’ve just encountered a combination that puts the lie to my reasoning.
I love ice cream sandwiches, especially those from Schwan’s. (Let’s not discuss why I’m eating an ice cream sandwich on a cool October morning.) I love garlic even more. (One of my standing rules for recipes is to quintuple the garlic.) Something (I think my veggie breakfast sausages) in the Custom Box freezer is exuding a garlicky odor.
Apparently — and here’s where it gets kind of gross — the garlic essense is powerful enough to have penetrated the paper wrappers of the ice cream sandwiches. They’re no longer vanilla ice cream sandwiches with delicious chocolate cookies. No, now they’re garlic-vanilla ice cream sandwiches.
Not something I recommend.